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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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AMBERGER, Christoph
German Painter, ca.1500-1562
German painter and draughtsman. His family came from the Upper Palatinate. He served his apprenticeship in Augsburg, probably with Leonhard Beck, whose daughter Barbara he married. He became a master on 15 May 1530 but rarely signed his work. He was in northern Italy and Venice c. 1525-7. His full-length pendant portraits of a husband and wife (both 1525; Vienna, Ksthist. Mus.) show Venetian influence, and the portrait of Anton Welser (1527; priv. col., see 1980 exh. cat., p. 98) is in the Italian style. According to Sandrart, during the Imperial Diet of 1530 in Augsburg Amberger painted a portrait of Emperor Charles V to the Emperor's satisfaction, but the surviving work (Berlin, Gem?ldegal.) dates from 1532, based on the age given. In the decades that followed, Amberger was the favourite portrait painter of ambitious merchant families, such as the Fugger, who belonged to guilds but were connected with the nobility by family or marriage ties. |
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AMBERGER, Christoph
Christoph Fugger
1541
Wood, 97 x 80 cm
Alte Pinakothek, Munich
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AMBERGER, Christoph
Goldsmith Jorg Zrer of Augsburg
1531
Oil on panel, 78 x 51 cm
Museo del Prado, Madrid
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AMBERGER, Christoph
Portrait of Felicitas Seiler
1537
Wood, 90 x 80 cm
Alte Pinakothek, Munich
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AMBERGER, Christoph
Young Man in Fur
Oil on wood, 50,5 x 42,5 cm
The Hermitage, St. Petersburg
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AMBERGER, Christoph
Portrait of Cornelius Gros
mk65
Oil on panel
21x16 15/16in
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AMBERGER, Christoph
Portrait of a Young Man
after 1548(1548)
Medium Oil on wood
cyf
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| AMBERGER, Christoph
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German Painter, ca.1500-1562
German painter and draughtsman. His family came from the Upper Palatinate. He served his apprenticeship in Augsburg, probably with Leonhard Beck, whose daughter Barbara he married. He became a master on 15 May 1530 but rarely signed his work. He was in northern Italy and Venice c. 1525-7. His full-length pendant portraits of a husband and wife (both 1525; Vienna, Ksthist. Mus.) show Venetian influence, and the portrait of Anton Welser (1527; priv. col., see 1980 exh. cat., p. 98) is in the Italian style. According to Sandrart, during the Imperial Diet of 1530 in Augsburg Amberger painted a portrait of Emperor Charles V to the Emperor's satisfaction, but the surviving work (Berlin, Gem?ldegal.) dates from 1532, based on the age given. In the decades that followed, Amberger was the favourite portrait painter of ambitious merchant families, such as the Fugger, who belonged to guilds but were connected with the nobility by family or marriage ties.
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